2017: Our Top Ten Favorite Moments

An improvised “I Do.” An evening of wild, Hamilton-infused energy. We take a quick look back at some of our favorite moments from the 2017 Summer Season with the folks who keep the lights on, the HVSF Administrative Staff…

1. A Top-Secret Proposal

“About a month into the season, my Assistant Company Manager’s boyfriend messaged me on Facebook: I want to propose to Kristin. Can I do this onstage? The conspiracy grew slowly: me, then our Stage Manager (Marci), Production Manager (Chris), Artistic Director (Davis), Managing Director (Kate), my intern (Mary Caitlyn), and finally our actor playing Feste, Michael Broadhurst, who would serve as the MC. On the fateful night, Kristin and her boyfriend’s families were in the audience watching TWELFTH NIGHT. At intermission, Marci and I told the entire cast, and during curtain call Feste selected two “volunteers” to come onstage. With the cast watching onstage and production staff watching offstage, Kristin said yes(!) and the audience gave them a standing ovation.”
Katie Meade, Company Manager

2. “Benedict’s” Supporters

“I loved when Chris Thorn (the actor who played Benedict Arnold in this season’s THE GENERAL FROM AMERICA) and his family stopped in the HVSF office on Main Street in Cold Spring. They were standing around outside and noticed the large poster hanging in our window, which was a picture of Chris. There were a lot of oohs and aahs and excitement from his family. They were very proud of him – as we all were!”
– Linda Patterson, Finance Director

3. Nance’s Belvedere Dash

“After I had seen the audience settle into the Tent for the evening, I would wait for Nance to come up over the hill as Mrs. Bennet in PRIDE AND PREJUDICE. Her loud hallooing for Mr. Bennet, complete with the silly bonnet and the bell was a brilliant beginning to the play. I would watch, as like clockwork, half-way between the belvedere and the Tent where she would pause, putting one finger up and doubling over for breath. This got a big laugh every night and after that laugh, I knew the audience was connected to the story and on their journey for the evening.”
– Catherine Taylor-Williams, Director of Development

4. Opening Night of THE BOOK OF WILL, Closing Scene

“When those pages began to fall… I was just weeping in the audience at the beauty of the play.”
– Kate Liberman, Managing Director

“I loved the moment, after the curtain call, when there were spontaneous calls of “Author, Author!” I watched Lauren Gunderson’s (playwright, THE BOOK OF WILL) mom watch as her daughter modestly acknowledged the ovation.”
– Davis McCallum, Artistic Director

5. Live-Action Revolution

“Big ups to the Week of Revolution 21+ Trivia Night. It was a surprisingly cold August night, but a hardy and sizeable bunch of trivia buffs hung out after THE GENERAL FROM AMERICA to take part. Our friends at The Middle Company put together a great batch of questions, loosely tied to the American Revolution (“Paul Revere” by the Beastie Boys featured). My team – strangers at the outset – showed great group cohesion as we created a tableau of Washington Crossing the Delaware. And took full points. Amazing.”
– Jena Hershkowitz, Development Associate

6. Ready For Their Closeup

“I have the pleasure of devising photo and video shoots each season to help tell the story of what’s on stage. Sometimes, these shoots are quick and painless, with actors in minimal costumes playing around inside a studio. And sometimes, as was the case with this season’s LOVE’S LABOUR’S LOST, these shoots involve over-sized, insulated animal masks worn by exhausted actors as they gallivant about in mid-90-degree Hudson Valley heat. Of course, our Conservatory Company rose to the challenge like the champions they are, and it reminded me how incredibly generous and dedicated our actors have to be to bring their best selves to the Theater Tent. I wish we were able to use all the images we captured that day!”
– Emma, Director of Marketing & Communications 

7. HAMILTUNES on the Hudson

” The Hamilton Community Sing-Along! A night in which the tent was filled with electricity and joy supplied by our community members joining on stage and singing their hearts out – a night I will never forget. I loved watching Nathaniel Ramos (who was one of the local child actors in last year’s OUR TOWN) completely kill it as Elizabeth Schuyler.”
– Kate Liberman, Managing Director

8. Suffrage Stories

“I loved marveling at the courage and talent and honesty of the community playwrights featured in the HVSF Bakeoff, and personally reporting by email to playwright Paula Vogel on the spectacular success of the short plays that had been inspired by 100 years of women’s suffrage in New York.”
– Davis McCallum, Artistic Director 

9. A Playground for Play(s)

“The way to get my 3 year old son, Lucas, to accompany me to work at the Tent was to promise him a chocolate and vanilla Go-Go-Pop from the HVSF Cafe Tent and that he could sit on one of the golf carts. He would run to the Cafe and shout, “PLEASE chocolate and vanilla PLEASE!” After that was over, he would try to sneak past our House Manager, Lindsay, to see if he could break into the Tent to see what the actors were doing.

Once he realized my job was to meet people at the Tent, he decided he’d do the same: “This is my mommy, Catherine. I’m Lucas. What’s your name?”

Being a child in the theater is lots of fun and HVSF is a great place for kids. On any given night you could see impromptu soccer and frisbee games. Artistic Director Davis McCallum’s kids Thomas and Angus were there, Actor/Associate Artistic Director Sean McNall’s son Declan, as was Actor John Tufts’ son Henry. One night, Kurt Rhoads explained to Lucas how baseball worked. It’s a family place, and I’m proud to be part of that.”
– Catherine Taylor-Williams, Director of Development

10. Oozing Collins and the Chair

Who needs words for this PRIDE AND PREJUDICE chair bit?
The whole office is still laugh-crying at it.

 

What were your favorite moments of the 2017 Summer Season? Share them with us on Facebook or Instagram, or by emailing boxoffice@hvshakespeare.org.
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2017 Raffle Winners Announced!

During the 2017 Summer Season over 2,000 generous audience members like you participated in our annual Education Raffle to support HVSF’s In-School Education Programs. 13 Cold Spring-area businesses donated over $1,000 in prizes for our lucky Raffle winners, and the generosity of the HVSF audience brought in over $24,000 to keep the magic of Shakespeare alive in schools and communities throughout the tri-state!

Congratulations (and thank you!) to each of our 2017 Raffle Winners:

Learn more about HVSF’s year-round Education Programs reaching over 60,000 students and educators throughout the tri-state region, and check out our 2017-2018 Education Brochure.

Revisiting WillFest

On Saturday, April 22, 2017, Hudson Valley Shakespeare Festival hosted a day-long celebration of Shakespeare and all things theater titled WillFest. Through free, all-ages activities, several hundred community members filtered in and out of St. Mary’s Parish Hall, the HVSF Administrative Office, the Old VFW Hall, the Cold Spring Waterfront, and along Cold Spring’s Main Street for performances, workshops, movie screenings, and activities.

Here’s a quick look back at the day’s festivities! Photos by Gabe Palacio. 


Costume Photo Booth with HVSF at the Cold Spring Farmers’ Market

…and our next big star, Eamon!

Performance: Scenes from ROMEO & JULIET with HVSF

This production is currently serving over 31 schools through our Spring Education Tour and will visit several regional venues this summer as part of our HVSF On the Road series!

Performance: Scenes from “The Seussification of Romeo & Juliet” with Students from Garrison Union Free School

Performance: “Academy Idol” Monologues with West Point Cadets

Workshop: Theater Games with HVSF Teaching Artist Gianna Cioffi

Gianna is one of four Resident Teaching Artists who brings HVSF Education programming – such as in-school workshops and residencies – to regional schools.

Workshop: “Shakespeare Shakedown” with The Middle Company

Workshop: Stage Combat with HVSF Teaching Artist Michael Irish and Students from Haldane High School

Around Town: Trivia, Movie Screenings, Discount Partners, Art Making & Info at the HVSF Office, and More!

Over 20 local businesses offered special discounts to attendees sporting their WillFest stickers, and our program partners – Cold Spring Film Society, Story Screen Beacon, The Middle Company, Cold Spring Farmers’ Market, Garrison Union Free School, Haldane High School, and the United States Military Academy at West Point – had the chance to engage locals and visitors alike. Many thanks to all of our program partners, discount partners, and donating partners (Whistling Willie’s in Cold Spring for their donation of movie screening popcorn and Grey Printing for their donation of art-making supplies)!

Volunteer staff support provided by students from NYU’s Goddard Residential College Service Learning Program, led by Cold Spring resident and 2016 OUR TOWN actor Megan Shea. 

First Look: 2017 Rehearsals Begin

Long before the Theater Tent is erected on the edge of the Hudson, our acting company gathers in New York City to begin the rehearsal process — memorizing lines, developing their characters, reviewing sets and costumes with designers, meeting staff and supporters, and more. Go behind the scenes with our 2017 company! Photos by Ashley Garrett.

HVSF Meet & Greet 2017-21

Longtime fan favorites Jason O’Connell and Kurt Rhoads

HVSF Meet & Greet 2017-29

THE BOOK OF WILL Playwright Lauren Gunderson joins in from the West Coast

HVSF Meet & Greet 2017-3

Company members Kimberly Chatterjee and Sean McNall with HVSF supporter Siew Thye Stinson

Previews of TWELFTH NIGHT, THE BOOK OF WILL, and PRIDE AND PREJUDICE begin June 8. Meet the cast under the Theater Tent this summer!

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It’s almost time for tickets!

We’ve been hard at work putting a brand new system in place that will make your experience of buying HVSF tickets faster and easier. On Wednesday, March 15, you’ll get the chance to try it out when tickets go on sale to the public!

Follow these steps to make sure you’re ready for the big day:

STEP 1 >> Click here to reset your password (or create a new account).

STEP 2 >> Use the email address with which you most often purchase tickets to fill out the Forgot Password form, and click the button EMAIL PASSWORD LINK TO ME.

STEP 3 >> Check your email and click on the link provided to set your new password.

STEP 4 >> Click CONTINUE and you’re all set! You will automatically be logged in.

What’s next?
You will hear from us again on Wednesday, March 15th, alerting you when HVSF tickets are available online. So long as you are logged in, you will have full access to your account, mail/email preferences, offers, and more.

What’s the best part?
Once logged in, you should remain logged in (think Amazon, but for the effervescent, outdoor theater you love). Still, it’s a good idea to make a note of your password – just in case.

What if I want to change my email address or personal information?
No problem – you can do so once you’ve logged in!

Questions?
Please contact the Box Office at boxoffice@hvshakespeare.org or 845.265.9575.

Kate Hamill’s Top 7 ‘Musts’ for an Ideal Mr. Darcy

When considering Jane Austen’s aloof, hard-headed Mr. Fitzwilliam Darcy, which devilishly handsome leading man comes to mind? If you’re like anyone with access to BBC or A&E in the mid-’90s, Colin Firth may be your go-to embodiment of this unlikely romantic hero, having appeared in 1995’s made-for-television Pride & Prejudice directed by Simon Langton.

“Women being attracted to [Mr. Darcy] took me by surprise,” Firth recently told The Daily Mail. “When I took on the role it seemed to me that he was imperious and stiff and forbidding, and I didn’t know what there was to play apart from him scowling all the time. I thought it would be quite fun and liberating to play someone who was completely and utterly dislikeable, unsympathetic, judgmental and snobbish.”

Darcy may find a foe in Firth, but a friend in playwright Kate Hamill. Hamill’s playful adaptation of PRIDE AND PREJUDICE makes its debut under the HVSF Theater Tent this summer, and not without the weirdo women (and men) who’ve become signature players in a Hamill adaptation.

“I’m so disinterested in beautiful, perfect people,” beamed Hamill. “Lizzy Bennet’s a total weirdo and should be treated as such. She and Darcy are both odd ducks… odd ducks that swim together.”

So how will Hamill’s Odd Duck Darcy shape up this summer? Here are her top seven must-haves in an ideal leading man:

  1. Righteous: “He tries to do the right thing all the time”
  2. Smart: “He’s capable of being quite nerdy.”
  3. Stubborn: “That’s a big one!”
  4. Principled: “He has to be someone with a lot of integrity.”
  5. Funny: “Intentionally and unintentionally, for sure.”
  6. Magnetic: “Someone you feel a deep connection with.”
  7. But, above all: “HUMAN! There’s just no other way to put it.”

PRIDE AND PREJUDICE is in previews June 10 – June 23, 2017 and runs June 24 – September 4, 2017. Are you between the ages of 16 and 35? Consider joining our Revelers or Teen Revelers program for exclusive discounts, events, and more.

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Love is a Devil: Director Ian Belknap on LOVE’S LABOUR’S LOST

“Masculine desire… what is it? What is love when you’re young?”

If LOVE’S LABOUR’S LOST Director Ian Belknap had answers to his questions, he probably wouldn’t be exploring them onstage with us this summer.

This classic tale of eight unwitting young lovers follows a familiar trajectory: Boys make a pact. Attractive girls arrive. Love blossoms, and the pact is no more. It’s an age-old story told and retold in Tennyson’s The Princess, Gilbert & Sullivan’s Princess Ida, and even – to some extent – in Dennis Dugan’s block-buster film Saving Silverman.


“I would forget her; but a fever she
Reigns in my blood and will remember’d be.”

Dumain, LOVE’S LABOUR’S LOST


O, the weight of young love!

Still, layers of self-discovery, emotional curiosity, and forbidden romance within LOVE’S LABOUR’S LOST continue to resonate onstage. Belknap finds that first piece – self-discovery – particularly worthy of reexamination this year, as LOVE’S cast, the HVSF Conservatory Company, embark on a unique journey of their own. Following the Conservatory Company’s appearance under the theater tent this summer, these eight young actors will bring the show on tour to schools with The Acting Company (for which Belknap serves as Artistic Director) leading finally to their acceptance into Actors’ Equity, a key milestone in the life of a professional actor.

“These are eight actors depicting eight lovers, and so much more,” noted Belknap. “Our cut is fast-paced with players moving fluidly between roles and there’s something powerful about these emerging actors playing similarly-aged students and their educated instructors. Student becomes teacher, just as the princess becomes the queen in the final notes of Act 5.”


“Masculine desire… what is it? What is love when you’re young?”

– Ian Belknap


One might say this play, in particular, is itself a labor of love: “LOVE’S offers some of Shakespeare’s most beautiful, but densely written, language. It’s tough for any actor, but once you’ve done it… you’ve done it.”

“And only a writer of Shakespeare’s caliber would have the courage to craft that final scene,” admitted Belknap. “‘The news I bring is heavy in my tongue. The king, your father’ is dead. Seriously?! It’s devastating because Shakespeare waits until the absolute last second to bring the news of the King’s death. It’s shocking because there has been little to no foreshadowing and then, at the 23rd hour, BOOM. Childhood ends. These characters – these actors – take up the mantle of adulthood.”

But let’s get back to that youthful romance…

“As is the case with ROMEO & JULIET, my hope is that students can easily see themselves in LOVE’S LABOUR’S LOST because they’ve been here before,” admitted Belknap. “They’ve known young love, forbidden love. They’ve made the same jokes about the teachers and adults in their lives. They know what trying to maintain one’s honor means. To them, it means an awful lot.”

 

LOVE’S LABOUR’S LOST runs August 14 – August 29, 2017 under the tent (including free family matinees on August 15, 22, and 29), and tours with The Acting Company this fall. Season tickets go on sale to the public March 15, but members of our Saints & Poets Society (March 8) and Festival Circles (March 1) have early access. Are you between the ages of 16 and 35? Consider joining our Revelers or Teen Revelers program for exclusive discounts, events, and more.

Once a Teacher, Always a Student: Poughkeepsie Educator Reflects on Methods

Students to the north in Poughkeepsie, NY – a historic, sprawling city on the Hudson River – have found a literary champion in middle school English teacher Elizabeth Morehead. Morehead, an educator at Orville A. Todd Middle School, participated in HVSF’s Teachers’ Shakespeare Institute nearly a decade ago. Ten years later, she’s still sharing the energy, methods, and impact she discovered there with her own students:

When I reflect upon my twelve years in teaching English Language Arts on the secondary level, there is one defining moment that changed my approach to teaching literature overall. It was in the summer of 2007 that I attended the Hudson Valley Shakespeare Festival’s (HVSF) Teachers’ Institute and suddenly there was a distinctive ”before and after” in my educational methodology.

Over a career in the classroom, a teacher is offered a myriad of professional development opportunities, some more worthwhile than others. During a summer, ten years ago, I was being trained in: using a Smartboard in the classroom, implementing a new online grading system, and tracking students’ achievement in reading using another online program. It was serendipitous that I was then introduced to HVSF. In pursuit of solid techniques to teach Shakespeare’s A Midsummer Night’s Dream to eighth grade students, I discovered this organization. What I did not know then was that attending this professional development opportunity with HVSF would not only fortify me with sound educational procedures to teach Shakespeare’s dramas, but it would also impact my approach to teaching literature. I am markedly more confident in my delivery of instruction when tackling Shakespeare and have been asked to teach students and teachers at colleges in the Hudson Valley who are looking for ways to learn or enhance their approach. All of this success I owe to my training with HVSF.


“…it would also impact my approach to teaching literature.”

– Elizabeth Morehead, educator


In both the seventh and eighth grade classroom, I continue to employ methods learned from that very first HVSF Teachers’ Institute and from the close to ten institutes I have attended subsequently. In fact, many of the techniques I use with students are all methods used with the literature we read and analyze prior to diving into Shakespeare. Students are schooled in the methods of working with the text to validate their ideas, choices and stances with poems, short stories, novels and autobiographical works we read. Well before we begin reading and performing Shakespeare, students are accustomed to approaching literature in this manner and that allows us to be able to focus on the rigor of Shakespeare’s writing which very often feels antique and lofty to today’s student.

Because of my work with HVSF’s Teachers’ Institute and the organization at large, I have been able to add Macbeth to our seventh grade curriculum and, in turn, have been given the opportunity of exposing students to Shakespeare at a younger age when they are less hesitant and free from the fear people generally associate with reading, performing, and even watching Shakespeare’s works. I have taken on the responsibility of making most, if not all, of my students’ first experience with Shakespeare positive and highly engaging. I would not be able to do so without the invaluable approaches I have learned with the Hudson Valley Shakespeare Festival.


“I have been given the opportunity of exposing students to Shakespeare at a younger age, when they are less hesitant and free from the fear people generally associate with reading…”

– Elizabeth Morehead, educator


Former students who come back to visit after high school and college continue to reminisce about their Shakespeare experience in middle school. Some students say it sparked a love for his work. Others say, “I wish teachers presented Shakespeare’s plays the way you did,” and many just want to laugh at the memories we made exploring the play through performance. These compliments I owe to HSVF and the methods they have given me over the last ten years in making Shakespeare not just accessible, but memorable to students with a wide variety of abilities.

 

Thanks, Elizabeth! Learn more about HVSF’s Teachers’ Shakespeare Institute here

 

Our American Identity: Director Penny Metropulos on THE GENERAL FROM AMERICA

“What’s going on outside is enormous,” offered Director Penny Metropulos, delving into the cultural context of this season’s THE GENERAL FROM AMERICA by Richard Nelson. “Protests, battles, meetings of congress, the war raging on – still, the interactions between characters are so personal, so intimate.”

THE GENERAL, first performed by the Royal Shakespeare Company in 1996, follows the treasonous plot of Benedict Arnold as he plans his defection and flight from a fledgling United States. Long reviled by most Americans and world historians as a traitor, Arnold’s 1779 struggle with our newborn nation is revisited in this powerful text, exposing “the puritanical hypocrisy and corruption that marched beside the heralded courage of our national beginnings.” (The Village Voice)

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Royal Shakespeare Company’s premiere production of THE GENERAL FROM AMERICA. Photo by Zuleika Henry.

“What I love about this play is its humanism,” Metropulos revealed. “Nelson gives us an intimate, crystalline, personal look at these characters who, for so long, have been larger than life in our minds.” Revolutionary War-era staples such as George Washington, Alexander Hamilton, and the malefactor himself, Benedict Arnold, move fluidly between scenes, currying favor of leadership, chiding one another, bemoaning personal circumstance, exposing their own fragility.

Unique to this summer’s production is something HVSF doesn’t usually get to explore with Shakespeare’s works: site specificity. Arnold’s own command at West Point, now known as the United States Military Academy, can be seen from the Theater Tent on the opposite bank of the Hudson. Many of Arnold’s key stops along his escape path lie on HVSF’s side of the river, with historical markers noticeable along local paths and roadways.


“This play is part and parcel of our identity as Americans.”

– Penny Metropulos


“I’m always interested in anything that makes me study harder and it seems like a good time to brush up on American history,” admitted Metropulos.

“This play is part and parcel of our identity as Americans and all the contradictions and complexities therein: our ideas about loyalty to country versus loyalty to our neighbors, feelings of personal dishonor, the fear that our stories and opinions may not be heard, the disillusionment we sometimes feel about our country, and our never ending search for the true meaning of freedom… it’s all here.”


“Good plays and good actors tell stories.”

– Penny Metropulos


Still, Metropulos is quick to assert that she’s not aiming to make a personal statement on stage, but to put on a great show: “I don’t think it’s my place to make assumptions for or about our audience or their politics. Good plays and good actors tell stories. Seeing historical figures in this new light, we very well may question our assumptions about our shared American history.

THE GENERAL FROM AMERICA is in previews August 4 – 7, 2017 and runs August 8 – September 3, 2017. Season tickets go on sale to the public March 15, but members of our Saints & Poets Society (March 8) and Festival Circles (March 1) have early access. Are you between the ages of 16 and 35? Consider joining our Revelers or Teen Revelers program for exclusive discounts, events, and more.

His Fantastical Allegory: Director Moritz von Stuelpnagel talks TWELFTH NIGHT

A young woman in disguise. A lost twin brother. A powerful nobleman. A beautiful, grief-stricken noble lady. An enlightened, musical fool. Beguiling letters, boisterous drunks, and reveling pranksters. TWELFTH NIGHT, often considered one of Shakespeare’s finest comedies, is – unsurprisingly – one of our resident playwright’s most profound.

“What I really love about this play,” noted TWELFTH NIGHT Director Moritz von Stuelpnagel, “is in a world where people find themselves upended by their own circumstance – shipwrecked, saddled with unrequited feelings or the death of a loved one – they’re still able to find the love and redemption they seek. These are real people finding language for human situations.”


“These are real people finding language for human situations.”

– Moritz von Stuelpnagel


Von Stuelpnagel, the Tony-nominated talent behind Broadway’s Hand to God and upcoming Present Laughter starring Kevin Kline, seeks a sort of redemption of his own from stage to stage: “We all curate a kind of facade, a public face,” he recently told Playbill, “but when the laughs and the parties end, I think we’re left with something darker and deeply human: ourselves, private, true.”

And what’s more deeply human than the figure of the clown (in TWELFTH NIGHT’s case, a fellow named Feste) embodying wisdom far beyond his peers? As clowning extraordinaire/SO PLEASE YOU Director Zachary Fine recently explained, the clown represents many human qualities – those we acknowledge, and those we often keep hidden: rambunctious hope, baffling chaos, ridiculousness, sublimity, brilliance, courage, curiosity, trepidation…


“Comedy gives us enough perspective to laugh at our own absurdity.”

– Moritz von Stuelpnagel


“My sense of humor comes from the need to laugh at suffering,” allowed Von Stuelpnagel. “Comedy gives us enough perspective to laugh at our own absurdity. I believe laughter is a healing force, allowing us to unite and reminding us how similar our experiences are.”

And unite we will this summer, as TWELFTH NIGHT’s vibrant musical universe expands along the Hudson, populated with a colorful slate of characters. But Von Stuelpnagel isn’t giving anything away. “I hope our production will exemplify a new kind of light, raucous spirit. Shakespeare, in my mind, reads like fantastical allegories… grotesque fairy tales. All I’ll say is that we’re telling a magical tale in a magical space. Expect a rollicking midsummer romp.”

We like the sound of that.

TWELFTH NIGHT is in previews June 8 – June 15, 2017 and runs June 16 – August 27, 2017. Are you between the ages of 16 and 35? Consider joining our Revelers or Teen Revelers program for exclusive discounts, events, and more.

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