2017: Our Top Ten Favorite Moments

An improvised “I Do.” An evening of wild, Hamilton-infused energy. We take a quick look back at some of our favorite moments from the 2017 Summer Season with the folks who keep the lights on, the HVSF Administrative Staff…

1. A Top-Secret Proposal

“About a month into the season, my Assistant Company Manager’s boyfriend messaged me on Facebook: I want to propose to Kristin. Can I do this onstage? The conspiracy grew slowly: me, then our Stage Manager (Marci), Production Manager (Chris), Artistic Director (Davis), Managing Director (Kate), my intern (Mary Caitlyn), and finally our actor playing Feste, Michael Broadhurst, who would serve as the MC. On the fateful night, Kristin and her boyfriend’s families were in the audience watching TWELFTH NIGHT. At intermission, Marci and I told the entire cast, and during curtain call Feste selected two “volunteers” to come onstage. With the cast watching onstage and production staff watching offstage, Kristin said yes(!) and the audience gave them a standing ovation.”
Katie Meade, Company Manager

2. “Benedict’s” Supporters

“I loved when Chris Thorn (the actor who played Benedict Arnold in this season’s THE GENERAL FROM AMERICA) and his family stopped in the HVSF office on Main Street in Cold Spring. They were standing around outside and noticed the large poster hanging in our window, which was a picture of Chris. There were a lot of oohs and aahs and excitement from his family. They were very proud of him – as we all were!”
– Linda Patterson, Finance Director

3. Nance’s Belvedere Dash

“After I had seen the audience settle into the Tent for the evening, I would wait for Nance to come up over the hill as Mrs. Bennet in PRIDE AND PREJUDICE. Her loud hallooing for Mr. Bennet, complete with the silly bonnet and the bell was a brilliant beginning to the play. I would watch, as like clockwork, half-way between the belvedere and the Tent where she would pause, putting one finger up and doubling over for breath. This got a big laugh every night and after that laugh, I knew the audience was connected to the story and on their journey for the evening.”
– Catherine Taylor-Williams, Director of Development

4. Opening Night of THE BOOK OF WILL, Closing Scene

“When those pages began to fall… I was just weeping in the audience at the beauty of the play.”
– Kate Liberman, Managing Director

“I loved the moment, after the curtain call, when there were spontaneous calls of “Author, Author!” I watched Lauren Gunderson’s (playwright, THE BOOK OF WILL) mom watch as her daughter modestly acknowledged the ovation.”
– Davis McCallum, Artistic Director

5. Live-Action Revolution

“Big ups to the Week of Revolution 21+ Trivia Night. It was a surprisingly cold August night, but a hardy and sizeable bunch of trivia buffs hung out after THE GENERAL FROM AMERICA to take part. Our friends at The Middle Company put together a great batch of questions, loosely tied to the American Revolution (“Paul Revere” by the Beastie Boys featured). My team – strangers at the outset – showed great group cohesion as we created a tableau of Washington Crossing the Delaware. And took full points. Amazing.”
– Jena Hershkowitz, Development Associate

6. Ready For Their Closeup

“I have the pleasure of devising photo and video shoots each season to help tell the story of what’s on stage. Sometimes, these shoots are quick and painless, with actors in minimal costumes playing around inside a studio. And sometimes, as was the case with this season’s LOVE’S LABOUR’S LOST, these shoots involve over-sized, insulated animal masks worn by exhausted actors as they gallivant about in mid-90-degree Hudson Valley heat. Of course, our Conservatory Company rose to the challenge like the champions they are, and it reminded me how incredibly generous and dedicated our actors have to be to bring their best selves to the Theater Tent. I wish we were able to use all the images we captured that day!”
– Emma, Director of Marketing & Communications 

7. HAMILTUNES on the Hudson

” The Hamilton Community Sing-Along! A night in which the tent was filled with electricity and joy supplied by our community members joining on stage and singing their hearts out – a night I will never forget. I loved watching Nathaniel Ramos (who was one of the local child actors in last year’s OUR TOWN) completely kill it as Elizabeth Schuyler.”
– Kate Liberman, Managing Director

8. Suffrage Stories

“I loved marveling at the courage and talent and honesty of the community playwrights featured in the HVSF Bakeoff, and personally reporting by email to playwright Paula Vogel on the spectacular success of the short plays that had been inspired by 100 years of women’s suffrage in New York.”
– Davis McCallum, Artistic Director 

9. A Playground for Play(s)

“The way to get my 3 year old son, Lucas, to accompany me to work at the Tent was to promise him a chocolate and vanilla Go-Go-Pop from the HVSF Cafe Tent and that he could sit on one of the golf carts. He would run to the Cafe and shout, “PLEASE chocolate and vanilla PLEASE!” After that was over, he would try to sneak past our House Manager, Lindsay, to see if he could break into the Tent to see what the actors were doing.

Once he realized my job was to meet people at the Tent, he decided he’d do the same: “This is my mommy, Catherine. I’m Lucas. What’s your name?”

Being a child in the theater is lots of fun and HVSF is a great place for kids. On any given night you could see impromptu soccer and frisbee games. Artistic Director Davis McCallum’s kids Thomas and Angus were there, Actor/Associate Artistic Director Sean McNall’s son Declan, as was Actor John Tufts’ son Henry. One night, Kurt Rhoads explained to Lucas how baseball worked. It’s a family place, and I’m proud to be part of that.”
– Catherine Taylor-Williams, Director of Development

10. Oozing Collins and the Chair

Who needs words for this PRIDE AND PREJUDICE chair bit?
The whole office is still laugh-crying at it.

 

What were your favorite moments of the 2017 Summer Season? Share them with us on Facebook or Instagram, or by emailing boxoffice@hvshakespeare.org.
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2017 Raffle Winners Announced!

During the 2017 Summer Season over 2,000 generous audience members like you participated in our annual Education Raffle to support HVSF’s In-School Education Programs. 13 Cold Spring-area businesses donated over $1,000 in prizes for our lucky Raffle winners, and the generosity of the HVSF audience brought in over $24,000 to keep the magic of Shakespeare alive in schools and communities throughout the tri-state!

Congratulations (and thank you!) to each of our 2017 Raffle Winners:

Learn more about HVSF’s year-round Education Programs reaching over 60,000 students and educators throughout the tri-state region, and check out our 2017-2018 Education Brochure.

WSJ: A Shakespeare Festival for the 21st Century

Originally Published in The Wall Street Journal
By Terry Teachout | July 6, 2017

With ‘Pride and Prejudice’ and ‘The Book of Will’ the Hudson Valley Shakespeare Festival broadens its once-sacrosanct repertory.

What does it mean to be a “Shakespeare festival” in the second decade of the 21st century? Like many such enterprises, the Hudson Valley Shakespeare Festival is in the process of broadening its once-sacrosanct repertory, so much so that two of its three current mainstage productions are premieres. One, however, is a play about Shakespeare, while the other is a new adaptation of a novel as classic—and familiar—as anything the Bard ever wrote. The biggest and best news, though, is that both plays are the stuff hits are made of, and Hudson Valley has brought off a first-class coup by launching them in the same season.

Kate Hamill, whose stage versions of “Sense and Sensibility” and “Vanity Fair” were deservedly successful, has now turned her hand to a second Jane Austen novel, “Pride and Prejudice.” You wouldn’t think she’d have anything fresh to say about a book that to date has been filmed a half-dozen times (not counting “Pride and Prejudice and Zombies”) and put on the stage at least as often. You’d be wrong, though, for the ever-ingenious Ms. Hamill has given us something completely and delightfully different, a smallish-cast period-dress “Pride and Prejudice” that she’s done over in the revved-up manner of a Hollywood screwball comedy. The language is traditional but the approach is thoroughly modern, with six of the eight actors playing multiple roles, several of them in drag. Cleverly compressed—one of the five Bennet sisters has vanished into the memory hole—and adapted with fizzy, festive freedom, Ms. Hamill’s “P&P” is full of “Bringing Up Baby”-style slapstick and the kind of barely controlled chaos that you’d expect to see in a five-door Feydeau farce.

Such a show demands worthy staging, and Amanda Dehnert, a prodigally gifted director whose work is not yet widely known on the East Coast, delivers the goods with gusto. Having previously seen her Oregon Shakespeare Festival productions of “Julius Caesar” and “My Fair Lady,” I wouldn’t have guessed that Ms. Dehnert also has a knack for pratfalls and spit takes, but her way with “P&P” is so adroit as to make me wonder what she’d do with a full-fledged farce like “Loot” or “Noises Off.” At the same time, she also makes sure to darken the mood just before intermission, reminding us that in the 19th century the finding of a husband was no laughing matter for unmonied women like the Bennet sisters.

Pride and Prejudice HVSF 6-17 142_by T. Charles Erickson

The cast of ‘Pride and Prejudice’ at the Hudson Valley Shakespeare Festival PHOTO: T CHARLES ERICKSON

In addition to having written the script, Ms. Hamill plays Lizzy Bennet with winning impishness, and Jason O’Connell, a well-known Hudson Valley face, is wonderfully, almost incapacitatingly shy as Mr. Darcy. Top comic honors, though, go to Mark Bedard, who doubles as the fathomlessly snooty Miss Bingley and the disgustingly obsequious Mr. Collins. Either one of his performances would have been noteworthy, but that the same person should be playing both parts (as well as that of Mr. Wickham) is a truly stupendous piece of quick-change clownery.

If you can’t make it to Hudson Valley, Ms. Dehnert’s production will be transferring to New York’s Primary Stages in November. I can’t imagine that it will stop there: Like “Vanity Fair” before it, Ms. Hamill’s “Pride and Prejudice” is the kind of show that would flourish in a small Broadway house. Should “P&P” fail to receive the commercial production it deserves, you can bet that it’ll be the toast of the regional-theater circuit.

The Book Of Will HVSF 6-17 219_Maryn Shaw, Sean McNall, Kurt Rhoads_by T. Charles Erickson

Maryn Shaw, Sean McNall, and Kurt Rhoads PHOTO: T. CHARLES ERICKSON

THE BOOK OF WILL

Lauren Gunderson’s “The Book of Will,” Hudson Valley’s second premiere, is a different sort of period piece, a play about the posthumous publication in 1623 of the First Folio, in which fully authentic texts of most of Shakespeare’s plays saw print for the very first time. If that sounds like dry-as-dust pedantry to you, fear not: Ms. Gunderson, whose plays are hugely popular outside New York but has yet to receive a major production in Manhattan, has given us a serious comedy, by turns charming and darkly poignant, in which a history lesson is embedded so gracefully that you’ll scarcely know you’ve been schooled.

Davis McCallum, Hudson Valley’s artistic director, has given “The Book of Will” a lively staging that’s as close to ideal as it’s possible to get, but the play is so soundly made that it would come off as well in a less deft production. “The Book of Will” is a cinch to be taken up by Shakespeare festivals all over America—as well it should be.

 

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PRIDE AND PREJUDICE
By Kate Hamill
Adapted from the novel by Jane Austen
Directed by Amanda Dehnert
A co-production with Primary Stages
Running June 10 – September 4, 2017

THE BOOK OF WILL
By Lauren Gunderson
Directed by Davis McCallum
Running June 9 – July 28, 2017

What They’re Saying: THE BOOK OF WILL

Longtime HVSF fans and dedicated Shakespeare lovers Fred and Sallyann were skeptical about our rolling world premiere of THE BOOK OF WILL, but they gave it a shot. Below, Fred reflects on an unforgettable evening under the Theater Tent: 

Fred & SallyannI don’t know if you read these things, but this one—I hope you do. We’ve bought tickets to all of HVSF’s shows every year for over five years, and it’s an ongoing sure bet. But last night’s performance of THE BOOK OF WILL was, maybe, the best experience ever. 

Two main characters so unalike and so closely connected. (The grieving scene was so moving!)

A mission that was daunting, perhaps impossible. And, yes, at times impossible.

A dramatis personae with neither white nor black hats but who were rather strugglers in a world of strugglers.

A crooked and winding path to the eventual, mostly successful outcome, a book rendered imperfect—a temporarily flawed success.

And, in the end, after all the struggle… the genius of an Elizabethan playwright is preserved—published, not vanished—for millions to enjoy forever. Playbills drifting from the rafters, ghosts of his players appearing in the background…

Thank you, Will!

Thank you, HVSF!

…Wanna put it on again next year?

Our strictly limited run of Lauren Gunderson’s THE BOOK OF WILL Directed by Davis McCallum ends July 28. Come see the show that has audiences abuzz!

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Revisiting WillFest

On Saturday, April 22, 2017, Hudson Valley Shakespeare Festival hosted a day-long celebration of Shakespeare and all things theater titled WillFest. Through free, all-ages activities, several hundred community members filtered in and out of St. Mary’s Parish Hall, the HVSF Administrative Office, the Old VFW Hall, the Cold Spring Waterfront, and along Cold Spring’s Main Street for performances, workshops, movie screenings, and activities.

Here’s a quick look back at the day’s festivities! Photos by Gabe Palacio. 


Costume Photo Booth with HVSF at the Cold Spring Farmers’ Market

…and our next big star, Eamon!

Performance: Scenes from ROMEO & JULIET with HVSF

This production is currently serving over 31 schools through our Spring Education Tour and will visit several regional venues this summer as part of our HVSF On the Road series!

Performance: Scenes from “The Seussification of Romeo & Juliet” with Students from Garrison Union Free School

Performance: “Academy Idol” Monologues with West Point Cadets

Workshop: Theater Games with HVSF Teaching Artist Gianna Cioffi

Gianna is one of four Resident Teaching Artists who brings HVSF Education programming – such as in-school workshops and residencies – to regional schools.

Workshop: “Shakespeare Shakedown” with The Middle Company

Workshop: Stage Combat with HVSF Teaching Artist Michael Irish and Students from Haldane High School

Around Town: Trivia, Movie Screenings, Discount Partners, Art Making & Info at the HVSF Office, and More!

Over 20 local businesses offered special discounts to attendees sporting their WillFest stickers, and our program partners – Cold Spring Film Society, Story Screen Beacon, The Middle Company, Cold Spring Farmers’ Market, Garrison Union Free School, Haldane High School, and the United States Military Academy at West Point – had the chance to engage locals and visitors alike. Many thanks to all of our program partners, discount partners, and donating partners (Whistling Willie’s in Cold Spring for their donation of movie screening popcorn and Grey Printing for their donation of art-making supplies)!

Volunteer staff support provided by students from NYU’s Goddard Residential College Service Learning Program, led by Cold Spring resident and 2016 OUR TOWN actor Megan Shea. 

Kate Hamill’s Top 7 ‘Musts’ for an Ideal Mr. Darcy

When considering Jane Austen’s aloof, hard-headed Mr. Fitzwilliam Darcy, which devilishly handsome leading man comes to mind? If you’re like anyone with access to BBC or A&E in the mid-’90s, Colin Firth may be your go-to embodiment of this unlikely romantic hero, having appeared in 1995’s made-for-television Pride & Prejudice directed by Simon Langton.

“Women being attracted to [Mr. Darcy] took me by surprise,” Firth recently told The Daily Mail. “When I took on the role it seemed to me that he was imperious and stiff and forbidding, and I didn’t know what there was to play apart from him scowling all the time. I thought it would be quite fun and liberating to play someone who was completely and utterly dislikeable, unsympathetic, judgmental and snobbish.”

Darcy may find a foe in Firth, but a friend in playwright Kate Hamill. Hamill’s playful adaptation of PRIDE AND PREJUDICE makes its debut under the HVSF Theater Tent this summer, and not without the weirdo women (and men) who’ve become signature players in a Hamill adaptation.

“I’m so disinterested in beautiful, perfect people,” beamed Hamill. “Lizzy Bennet’s a total weirdo and should be treated as such. She and Darcy are both odd ducks… odd ducks that swim together.”

So how will Hamill’s Odd Duck Darcy shape up this summer? Here are her top seven must-haves in an ideal leading man:

  1. Righteous: “He tries to do the right thing all the time”
  2. Smart: “He’s capable of being quite nerdy.”
  3. Stubborn: “That’s a big one!”
  4. Principled: “He has to be someone with a lot of integrity.”
  5. Funny: “Intentionally and unintentionally, for sure.”
  6. Magnetic: “Someone you feel a deep connection with.”
  7. But, above all: “HUMAN! There’s just no other way to put it.”

PRIDE AND PREJUDICE is in previews June 10 – June 23, 2017 and runs June 24 – September 4, 2017. Are you between the ages of 16 and 35? Consider joining our Revelers or Teen Revelers program for exclusive discounts, events, and more.

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Love is a Devil: Director Ian Belknap on LOVE’S LABOUR’S LOST

“Masculine desire… what is it? What is love when you’re young?”

If LOVE’S LABOUR’S LOST Director Ian Belknap had answers to his questions, he probably wouldn’t be exploring them onstage with us this summer.

This classic tale of eight unwitting young lovers follows a familiar trajectory: Boys make a pact. Attractive girls arrive. Love blossoms, and the pact is no more. It’s an age-old story told and retold in Tennyson’s The Princess, Gilbert & Sullivan’s Princess Ida, and even – to some extent – in Dennis Dugan’s block-buster film Saving Silverman.


“I would forget her; but a fever she
Reigns in my blood and will remember’d be.”

Dumain, LOVE’S LABOUR’S LOST


O, the weight of young love!

Still, layers of self-discovery, emotional curiosity, and forbidden romance within LOVE’S LABOUR’S LOST continue to resonate onstage. Belknap finds that first piece – self-discovery – particularly worthy of reexamination this year, as LOVE’S cast, the HVSF Conservatory Company, embark on a unique journey of their own. Following the Conservatory Company’s appearance under the theater tent this summer, these eight young actors will bring the show on tour to schools with The Acting Company (for which Belknap serves as Artistic Director) leading finally to their acceptance into Actors’ Equity, a key milestone in the life of a professional actor.

“These are eight actors depicting eight lovers, and so much more,” noted Belknap. “Our cut is fast-paced with players moving fluidly between roles and there’s something powerful about these emerging actors playing similarly-aged students and their educated instructors. Student becomes teacher, just as the princess becomes the queen in the final notes of Act 5.”


“Masculine desire… what is it? What is love when you’re young?”

– Ian Belknap


One might say this play, in particular, is itself a labor of love: “LOVE’S offers some of Shakespeare’s most beautiful, but densely written, language. It’s tough for any actor, but once you’ve done it… you’ve done it.”

“And only a writer of Shakespeare’s caliber would have the courage to craft that final scene,” admitted Belknap. “‘The news I bring is heavy in my tongue. The king, your father’ is dead. Seriously?! It’s devastating because Shakespeare waits until the absolute last second to bring the news of the King’s death. It’s shocking because there has been little to no foreshadowing and then, at the 23rd hour, BOOM. Childhood ends. These characters – these actors – take up the mantle of adulthood.”

But let’s get back to that youthful romance…

“As is the case with ROMEO & JULIET, my hope is that students can easily see themselves in LOVE’S LABOUR’S LOST because they’ve been here before,” admitted Belknap. “They’ve known young love, forbidden love. They’ve made the same jokes about the teachers and adults in their lives. They know what trying to maintain one’s honor means. To them, it means an awful lot.”

 

LOVE’S LABOUR’S LOST runs August 14 – August 29, 2017 under the tent (including free family matinees on August 15, 22, and 29), and tours with The Acting Company this fall. Season tickets go on sale to the public March 15, but members of our Saints & Poets Society (March 8) and Festival Circles (March 1) have early access. Are you between the ages of 16 and 35? Consider joining our Revelers or Teen Revelers program for exclusive discounts, events, and more.

Our American Identity: Director Penny Metropulos on THE GENERAL FROM AMERICA

“What’s going on outside is enormous,” offered Director Penny Metropulos, delving into the cultural context of this season’s THE GENERAL FROM AMERICA by Richard Nelson. “Protests, battles, meetings of congress, the war raging on – still, the interactions between characters are so personal, so intimate.”

THE GENERAL, first performed by the Royal Shakespeare Company in 1996, follows the treasonous plot of Benedict Arnold as he plans his defection and flight from a fledgling United States. Long reviled by most Americans and world historians as a traitor, Arnold’s 1779 struggle with our newborn nation is revisited in this powerful text, exposing “the puritanical hypocrisy and corruption that marched beside the heralded courage of our national beginnings.” (The Village Voice)

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Royal Shakespeare Company’s premiere production of THE GENERAL FROM AMERICA. Photo by Zuleika Henry.

“What I love about this play is its humanism,” Metropulos revealed. “Nelson gives us an intimate, crystalline, personal look at these characters who, for so long, have been larger than life in our minds.” Revolutionary War-era staples such as George Washington, Alexander Hamilton, and the malefactor himself, Benedict Arnold, move fluidly between scenes, currying favor of leadership, chiding one another, bemoaning personal circumstance, exposing their own fragility.

Unique to this summer’s production is something HVSF doesn’t usually get to explore with Shakespeare’s works: site specificity. Arnold’s own command at West Point, now known as the United States Military Academy, can be seen from the Theater Tent on the opposite bank of the Hudson. Many of Arnold’s key stops along his escape path lie on HVSF’s side of the river, with historical markers noticeable along local paths and roadways.


“This play is part and parcel of our identity as Americans.”

– Penny Metropulos


“I’m always interested in anything that makes me study harder and it seems like a good time to brush up on American history,” admitted Metropulos.

“This play is part and parcel of our identity as Americans and all the contradictions and complexities therein: our ideas about loyalty to country versus loyalty to our neighbors, feelings of personal dishonor, the fear that our stories and opinions may not be heard, the disillusionment we sometimes feel about our country, and our never ending search for the true meaning of freedom… it’s all here.”


“Good plays and good actors tell stories.”

– Penny Metropulos


Still, Metropulos is quick to assert that she’s not aiming to make a personal statement on stage, but to put on a great show: “I don’t think it’s my place to make assumptions for or about our audience or their politics. Good plays and good actors tell stories. Seeing historical figures in this new light, we very well may question our assumptions about our shared American history.

THE GENERAL FROM AMERICA is in previews August 4 – 7, 2017 and runs August 8 – September 3, 2017. Season tickets go on sale to the public March 15, but members of our Saints & Poets Society (March 8) and Festival Circles (March 1) have early access. Are you between the ages of 16 and 35? Consider joining our Revelers or Teen Revelers program for exclusive discounts, events, and more.

His Fantastical Allegory: Director Moritz von Stuelpnagel talks TWELFTH NIGHT

A young woman in disguise. A lost twin brother. A powerful nobleman. A beautiful, grief-stricken noble lady. An enlightened, musical fool. Beguiling letters, boisterous drunks, and reveling pranksters. TWELFTH NIGHT, often considered one of Shakespeare’s finest comedies, is – unsurprisingly – one of our resident playwright’s most profound.

“What I really love about this play,” noted TWELFTH NIGHT Director Moritz von Stuelpnagel, “is in a world where people find themselves upended by their own circumstance – shipwrecked, saddled with unrequited feelings or the death of a loved one – they’re still able to find the love and redemption they seek. These are real people finding language for human situations.”


“These are real people finding language for human situations.”

– Moritz von Stuelpnagel


Von Stuelpnagel, the Tony-nominated talent behind Broadway’s Hand to God and upcoming Present Laughter starring Kevin Kline, seeks a sort of redemption of his own from stage to stage: “We all curate a kind of facade, a public face,” he recently told Playbill, “but when the laughs and the parties end, I think we’re left with something darker and deeply human: ourselves, private, true.”

And what’s more deeply human than the figure of the clown (in TWELFTH NIGHT’s case, a fellow named Feste) embodying wisdom far beyond his peers? As clowning extraordinaire/SO PLEASE YOU Director Zachary Fine recently explained, the clown represents many human qualities – those we acknowledge, and those we often keep hidden: rambunctious hope, baffling chaos, ridiculousness, sublimity, brilliance, courage, curiosity, trepidation…


“Comedy gives us enough perspective to laugh at our own absurdity.”

– Moritz von Stuelpnagel


“My sense of humor comes from the need to laugh at suffering,” allowed Von Stuelpnagel. “Comedy gives us enough perspective to laugh at our own absurdity. I believe laughter is a healing force, allowing us to unite and reminding us how similar our experiences are.”

And unite we will this summer, as TWELFTH NIGHT’s vibrant musical universe expands along the Hudson, populated with a colorful slate of characters. But Von Stuelpnagel isn’t giving anything away. “I hope our production will exemplify a new kind of light, raucous spirit. Shakespeare, in my mind, reads like fantastical allegories… grotesque fairy tales. All I’ll say is that we’re telling a magical tale in a magical space. Expect a rollicking midsummer romp.”

We like the sound of that.

TWELFTH NIGHT is in previews June 8 – June 15, 2017 and runs June 16 – August 27, 2017. Are you between the ages of 16 and 35? Consider joining our Revelers or Teen Revelers program for exclusive discounts, events, and more.

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Hudson Valley Shakespeare Festival Names Three New Members to the Board of Directors

Robin Arditi, President of the Hudson Valley Shakespeare Festival’s Board of Directors has announced the appointment of three new members, following the organization’s September 14th Board Meeting. Joining the board are Steven Holley, Jim Kilman, and Lauri Sawyer.

Steven Holley is a member of the Litigation Group at Sullivan & Cromwell. His practice focuses on antitrust counseling and litigation, and also includes bankruptcy, securities and tax litigation, as well as complex commercial disputes. Holley has been recognized by: Euromoney’s Benchmark Litigation – Litigation Star (2008-2016) and Top 100 Trial Lawyers in the United States (2016); Chambers USA: America’s Leading Lawyers for Business – recognized as a leader for Antitrust Litigation (2007-2016); The Best Lawyers in America – recognized for Antitrust Litigation (2013-2016); New York Super Lawyers – recognized for Antitrust Litigation (2013-2015); and The International Who’s Who of Competition Lawyers – recognized for Antitrust Litigation (2007-2015). A graduate of Indiana University, Holley received his J.D. from New York University School of Law. Mr. Holley lives in Brooklyn and Garrison, NY.

Jim Kilman is Chief Executive Officer of KielStrand Capital, a family office merchant bank based in Scarborough, New York that makes and manages investments, provides advice and engages in philanthropic activities. Prior to forming KielStrand Capital in 2016, he retired as Vice Chairman of Investment Banking at Morgan Stanley. Kilman currently serves on the Boards of Modular Space Corporation, a privately-held provider of modular buildings in Berwyn, PA and Lebenthal Holdings, a privately-held broker-dealer and asset manager in New York, NY. His community involvement includes serving on the Finance and Investments Committee of the Jacob Burns Film Center in Pleasantville, NY and as Treasurer of his Yale College Class. He holds an M.A. and a B.A. in Economics from Yale University. Mr. Kilman lives in Scarborough, NY.

Lauri Sawyer is a partner at Jones Day where she has a broad-based federal and state commercial litigation and arbitration practice. Sawyer is strongly committed to pro bono service, especially for clients with domestic relations and immigration issues. She is involved in several pro bono organizations and was recognized for her service in 2001 with the inMotion Commitment to Justice Award. In addition, she serves on several advisory and nonprofit boards. She received a B.A. in International Studies cum laude from the University of Denver, and M.A. in Russian Studies from the University of Washington, and she received her J.D. magna cum laude from Mercer University. Ms. Sawyer lives in Garrison, NY.