2017: Our Top Ten Favorite Moments

An improvised “I Do.” An evening of wild, Hamilton-infused energy. We take a quick look back at some of our favorite moments from the 2017 Summer Season with the folks who keep the lights on, the HVSF Administrative Staff…

1. A Top-Secret Proposal

“About a month into the season, my Assistant Company Manager’s boyfriend messaged me on Facebook: I want to propose to Kristin. Can I do this onstage? The conspiracy grew slowly: me, then our Stage Manager (Marci), Production Manager (Chris), Artistic Director (Davis), Managing Director (Kate), my intern (Mary Caitlyn), and finally our actor playing Feste, Michael Broadhurst, who would serve as the MC. On the fateful night, Kristin and her boyfriend’s families were in the audience watching TWELFTH NIGHT. At intermission, Marci and I told the entire cast, and during curtain call Feste selected two “volunteers” to come onstage. With the cast watching onstage and production staff watching offstage, Kristin said yes(!) and the audience gave them a standing ovation.”
Katie Meade, Company Manager

2. “Benedict’s” Supporters

“I loved when Chris Thorn (the actor who played Benedict Arnold in this season’s THE GENERAL FROM AMERICA) and his family stopped in the HVSF office on Main Street in Cold Spring. They were standing around outside and noticed the large poster hanging in our window, which was a picture of Chris. There were a lot of oohs and aahs and excitement from his family. They were very proud of him – as we all were!”
– Linda Patterson, Finance Director

3. Nance’s Belvedere Dash

“After I had seen the audience settle into the Tent for the evening, I would wait for Nance to come up over the hill as Mrs. Bennet in PRIDE AND PREJUDICE. Her loud hallooing for Mr. Bennet, complete with the silly bonnet and the bell was a brilliant beginning to the play. I would watch, as like clockwork, half-way between the belvedere and the Tent where she would pause, putting one finger up and doubling over for breath. This got a big laugh every night and after that laugh, I knew the audience was connected to the story and on their journey for the evening.”
– Catherine Taylor-Williams, Director of Development

4. Opening Night of THE BOOK OF WILL, Closing Scene

“When those pages began to fall… I was just weeping in the audience at the beauty of the play.”
– Kate Liberman, Managing Director

“I loved the moment, after the curtain call, when there were spontaneous calls of “Author, Author!” I watched Lauren Gunderson’s (playwright, THE BOOK OF WILL) mom watch as her daughter modestly acknowledged the ovation.”
– Davis McCallum, Artistic Director

5. Live-Action Revolution

“Big ups to the Week of Revolution 21+ Trivia Night. It was a surprisingly cold August night, but a hardy and sizeable bunch of trivia buffs hung out after THE GENERAL FROM AMERICA to take part. Our friends at The Middle Company put together a great batch of questions, loosely tied to the American Revolution (“Paul Revere” by the Beastie Boys featured). My team – strangers at the outset – showed great group cohesion as we created a tableau of Washington Crossing the Delaware. And took full points. Amazing.”
– Jena Hershkowitz, Development Associate

6. Ready For Their Closeup

“I have the pleasure of devising photo and video shoots each season to help tell the story of what’s on stage. Sometimes, these shoots are quick and painless, with actors in minimal costumes playing around inside a studio. And sometimes, as was the case with this season’s LOVE’S LABOUR’S LOST, these shoots involve over-sized, insulated animal masks worn by exhausted actors as they gallivant about in mid-90-degree Hudson Valley heat. Of course, our Conservatory Company rose to the challenge like the champions they are, and it reminded me how incredibly generous and dedicated our actors have to be to bring their best selves to the Theater Tent. I wish we were able to use all the images we captured that day!”
– Emma, Director of Marketing & Communications 

7. HAMILTUNES on the Hudson

” The Hamilton Community Sing-Along! A night in which the tent was filled with electricity and joy supplied by our community members joining on stage and singing their hearts out – a night I will never forget. I loved watching Nathaniel Ramos (who was one of the local child actors in last year’s OUR TOWN) completely kill it as Elizabeth Schuyler.”
– Kate Liberman, Managing Director

8. Suffrage Stories

“I loved marveling at the courage and talent and honesty of the community playwrights featured in the HVSF Bakeoff, and personally reporting by email to playwright Paula Vogel on the spectacular success of the short plays that had been inspired by 100 years of women’s suffrage in New York.”
– Davis McCallum, Artistic Director 

9. A Playground for Play(s)

“The way to get my 3 year old son, Lucas, to accompany me to work at the Tent was to promise him a chocolate and vanilla Go-Go-Pop from the HVSF Cafe Tent and that he could sit on one of the golf carts. He would run to the Cafe and shout, “PLEASE chocolate and vanilla PLEASE!” After that was over, he would try to sneak past our House Manager, Lindsay, to see if he could break into the Tent to see what the actors were doing.

Once he realized my job was to meet people at the Tent, he decided he’d do the same: “This is my mommy, Catherine. I’m Lucas. What’s your name?”

Being a child in the theater is lots of fun and HVSF is a great place for kids. On any given night you could see impromptu soccer and frisbee games. Artistic Director Davis McCallum’s kids Thomas and Angus were there, Actor/Associate Artistic Director Sean McNall’s son Declan, as was Actor John Tufts’ son Henry. One night, Kurt Rhoads explained to Lucas how baseball worked. It’s a family place, and I’m proud to be part of that.”
– Catherine Taylor-Williams, Director of Development

10. Oozing Collins and the Chair

Who needs words for this PRIDE AND PREJUDICE chair bit?
The whole office is still laugh-crying at it.

 

What were your favorite moments of the 2017 Summer Season? Share them with us on Facebook or Instagram, or by emailing boxoffice@hvshakespeare.org.

WSJ’s ‘Twelfth Night’ Review: Silly Succor for Modern Malaise

Originally Published in The Wall Street Journal
By Terry Teachout | July 20, 2017

Moritz von Stuelpnagel, known for directing comedies but not the classics, turns out a fun and bawdy Shakespeare production.

With two Broadway successes, “Hand to God” and “Present Laughter,” under his belt, Moritz von Stuelpnagel is now looking like the most talented director of stage comedy to come along since John Rando. So it’s happy news that he’s upped his personal ante by staging “Twelfth Night” for the Hudson Valley Shakespeare Festival. It is, after all, a big leap from Noël Coward to Shakespearean comedy, one that many similarly talented directors never attempt. Funny though “Twelfth Night” is, most of the laughs don’t come of their own accord: They need careful, knowing tending in order to explode on schedule. But Mr. Von Stuelpnagel knows his comic stuff, and he’s given us a show that’s every bit as enjoyable as its predecessors.

Unlike most modern-day Shakespeare directors, Mr. Von Stuelpnagel has chosen not to overlay his “Twelfth Night” with a high concept: It’s a colorfully stylized semi-modern-dress staging, but otherwise the show keeps to the center of the theatrical road. The cast is mostly young, and the actors themselves perform Palmer Hefferan’s incidental music in a cheerfully rough-and-ready manner. The results are as festive as their setting, a huge tent pitched on the great lawn of the Boscobel House and Gardens, a handsomely restored 1808 estate situated on a wooded bluff perched high above the Hudson River. Even when the weather is less than inviting, I can’t think of a prettier place to see an outdoor show.

Hudson Valley always has fine clowns on tap, and Kurt Rhoads and Sean McNall, who play Toby Belch and Andrew Aguecheek, set the tone for the show, with the emphasis placed squarely on broad, bawdy comedy. (Without getting too graphic for the readers of a family paper, suffice it to say that Sir Toby appears to be suffering from a fairly severe case of prostate trouble.) Anyone seeking temporary surcease from the rigors of the present moment will find it in abundance here.

The only thing missing is the hard nub of dramatic seriousness that issues from the climactic humiliation of Malvolio. Stephen Paul Johnson, dressed in the pompous manner of an 18th-century lawyer, is a bit too quick to shift into full-tilt comic mode when he receives the forged letter intended to fool him into thinking that Olivia ( Krystel Lucas ), his employer, has fallen in love with him. It strikes me that Mr. Von Stuelpnagel has in this case erred on the side of broadness, in much the same way that he erred by treating Roland Maule as a figure of too-obvious buffoonery in his production of “Present Laughter.” Malvolio is a grotesque, not a clown, and “Twelfth Night,” at least for me, works best when he’s played perfectly, even rigidly straight, succumbing to unrequited love and exploding with justifiable rage at play’s end when he discovers that Sirs Andrew and Toby—who are, lest we forget, his social superiors, vulgar and loutish though they are—have made heartless sport of him.

Twelfth Night HVSF 5-17 154_Stephen Paul Johnson as Malvolio, Krystel Lucas as Olivia, Mary Bacon as Maria_by T. Charles Erickson

Stephen Paul Johnson, Krystel Lucas and Mary Bacon PHOTO: T. CHARLES ERICKSON

This is, however, both a matter of taste and a counsel of perfection: “Twelfth Night” is above all things a buoyantly light comedy, and Mr. Von Stuelpnagel and his excellent cast never fail to make you smile. I rejoice that Davis McCallum, who has racked up an impressive track record since becoming Hudson Valley’s artistic director in 2015, has dared to entrust a Shakespeare play to an artist not previously known for his stagings of the classics. It’s a gamble that has paid off, and one that I hope will be repeated in seasons to come.

 

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TWELFTH NIGHT
By William Shakespeare
Directed by Moritz von Stuelpnagel
Running June 8 – August 26, 2017

First Look: 2017 Rehearsals Begin

Long before the Theater Tent is erected on the edge of the Hudson, our acting company gathers in New York City to begin the rehearsal process — memorizing lines, developing their characters, reviewing sets and costumes with designers, meeting staff and supporters, and more. Go behind the scenes with our 2017 company! Photos by Ashley Garrett.

HVSF Meet & Greet 2017-21

Longtime fan favorites Jason O’Connell and Kurt Rhoads

HVSF Meet & Greet 2017-29

THE BOOK OF WILL Playwright Lauren Gunderson joins in from the West Coast

HVSF Meet & Greet 2017-3

Company members Kimberly Chatterjee and Sean McNall with HVSF supporter Siew Thye Stinson

Previews of TWELFTH NIGHT, THE BOOK OF WILL, and PRIDE AND PREJUDICE begin June 8. Meet the cast under the Theater Tent this summer!

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His Fantastical Allegory: Director Moritz von Stuelpnagel talks TWELFTH NIGHT

A young woman in disguise. A lost twin brother. A powerful nobleman. A beautiful, grief-stricken noble lady. An enlightened, musical fool. Beguiling letters, boisterous drunks, and reveling pranksters. TWELFTH NIGHT, often considered one of Shakespeare’s finest comedies, is – unsurprisingly – one of our resident playwright’s most profound.

“What I really love about this play,” noted TWELFTH NIGHT Director Moritz von Stuelpnagel, “is in a world where people find themselves upended by their own circumstance – shipwrecked, saddled with unrequited feelings or the death of a loved one – they’re still able to find the love and redemption they seek. These are real people finding language for human situations.”


“These are real people finding language for human situations.”

– Moritz von Stuelpnagel


Von Stuelpnagel, the Tony-nominated talent behind Broadway’s Hand to God and upcoming Present Laughter starring Kevin Kline, seeks a sort of redemption of his own from stage to stage: “We all curate a kind of facade, a public face,” he recently told Playbill, “but when the laughs and the parties end, I think we’re left with something darker and deeply human: ourselves, private, true.”

And what’s more deeply human than the figure of the clown (in TWELFTH NIGHT’s case, a fellow named Feste) embodying wisdom far beyond his peers? As clowning extraordinaire/SO PLEASE YOU Director Zachary Fine recently explained, the clown represents many human qualities – those we acknowledge, and those we often keep hidden: rambunctious hope, baffling chaos, ridiculousness, sublimity, brilliance, courage, curiosity, trepidation…


“Comedy gives us enough perspective to laugh at our own absurdity.”

– Moritz von Stuelpnagel


“My sense of humor comes from the need to laugh at suffering,” allowed Von Stuelpnagel. “Comedy gives us enough perspective to laugh at our own absurdity. I believe laughter is a healing force, allowing us to unite and reminding us how similar our experiences are.”

And unite we will this summer, as TWELFTH NIGHT’s vibrant musical universe expands along the Hudson, populated with a colorful slate of characters. But Von Stuelpnagel isn’t giving anything away. “I hope our production will exemplify a new kind of light, raucous spirit. Shakespeare, in my mind, reads like fantastical allegories… grotesque fairy tales. All I’ll say is that we’re telling a magical tale in a magical space. Expect a rollicking midsummer romp.”

We like the sound of that.

TWELFTH NIGHT is in previews June 8 – June 15, 2017 and runs June 16 – August 27, 2017. Are you between the ages of 16 and 35? Consider joining our Revelers or Teen Revelers program for exclusive discounts, events, and more.

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